A Bee-utiful Social Project for Prosperous Funding

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Timothy Danyliw

"The drum is tuned to resonate with the bass frequency of the Earth.
It's perfect for meditation and feels wonderful when you play because the resonating frequencies heal your body."



Get lost in a musical journey and emerge refreshed, renewed and grounded in life itself.

The Vermont Singing Drum is a world renown drum and therapeutic tool with the sounds of eight singing bowls in one awe-inspiring instrument. Collected and used by meditators, healers and yoga practitioners worldwide, demand for the Vermont Singing Drum has grown far beyond the company's capacity to build them. Tim Danyliw, musician, artist and founder of Vermont Singing Drums, wanted school children across the country to experience the calming and unifying effects of his drums and Ventana del Soul is stepping in to support his social efforts and make his dream a reality.

Tim is a Queen Bee, schools are his Gardens, children, teachers and school administrators are his Hive, the Bee Drums provide the experiential learning Nectar, and everyone experiences its calming and unifying effects - Honey.



by Pamela Hunt


DECEMBER 3, 2017

In 2010, Tim Danyliw made his first metal drum from a propane tank in his workshop in the heart of Burlington’s South End Arts District. Since that somewhat clunky creation, he has streamlined the design into a piece of art. This musician-cum-metalworker initially saw his drum as a musical instrument, but his background in meditation led him to a different vision.

Instead of the staccato rat-a-tat-tat of a typical drum, these instruments produce complex, long-lasting tones, similar to those of Tibetan singing bowls used in traditional meditation.

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Danyliw wondered if these singing drums, as he calls them, could help children prepare their minds for learning. After working with several teachers throughout New England, he has discovered that they do indeed.

His “mindfulness with music” program, called Heart to Hand, features two drums per classroom, with students taking turns playing and focusing not only on their own drum’s music but also on their classmate’s playing.

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The drums are tuned to a pentatonic scale—usually G major—so they produce complementary tones. Danyliw recommends teachers use this two- to three-minute program at least twice a day—at the beginning of school and after recess—though some educators incorporate it into any time of transition. Like a taste of sorbet to cleanse the palate, playing the drum helps students delineate their thinking, clearing their thoughts of English, for example, and opening their minds to the math lesson to follow.


Rather than just handing over the drum to eager little hands to beat on, Danyliw demonstrates a gentle way of playing it. “I introduce it as our kindness drum. We play it kindly,” he says, gently striking a mallet on the curved surface as the harmonious tones resonate. “Once you do that, they get the idea that it’s not for rock and roll.”

Elizabeth Weaver, an early childhood special educator in the Burlington School District, uses the drum program in her preschool class. “We have kids who are peer models, as well as kids with speech and language issues, special needs, and intense autism,” she says. “The drum is a common language.” It’s this equalizing effect, the breaking down of barriers—whether of language or social structure—that the drum brings to classrooms. “We have kids who have a really hard time participating, but the second I start playing it, they sit and focus.” She also sees the drums as a confidence builder, especially for the increasing number of English learners she teaches. “Some kids are really shy about communicating,” she says. “You can do this and speak any language.”

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Danyliw envisions the program as a way to create community. “Kids want to do things cooperatively, which is really in our nature. We teach competition in our society, but survival of our species was all about cooperation,” he says. Instead of starting each day with kids being told to stop talking and keep their eyes on their own papers, the drum-playing routine encourages community. “That’s the whole basis of everything: to make a connection,” he says.